Scotland - 1940s and 1950s

Part 3- Other machines

click here for Arks and Waltzer

click here for Moonrockets, Mont Blancs and Autodromes

Scottish fairgrounds have not been particularly well documented outside of the notes in Worlds Fair. During the post-war years there were regularly two Scottish reports in the newspaper, however the reports were written in the traditional social tone and discussed family events, illnesses, birthdays, etc. In all fairness this was the original purpose of Worlds Fair - to provide a communicating vessel for the showland community. For the enthusiast of the time, or the enthusiast historian looking back, there is sparse information on machines and transport, with photographs almost non-existent.

The most well-known Scottish enthusiast and photographer was William Oswald, his photographs spanning his life in the shipping industry, his interest in trains and steam transport, and his love of fairs. However, Oswald's photographs remain in strict copyright with his family. The images in these galleries come from a lesser known enthusiast William Cross of Kelty, and surfaced as part of the Friendship Circle of Showland Fans (FCSF) library donated to the archive in 2004. The albums were compiled by members as a device for creating a library and sharing images and information. Without a doubt the William Cross album is the most intriguing and valuable. It gives a fairly thorough picture of the Scottish scene in the post-war years - providing first time pictures of many known machines as well crucial pictures of machines not documented.

The images are displayed with research generated within the archive, since the original album came with no notes at all. We attempt to give a flavour of the bustling Scottish scene dominated by families such as the Codonas, Whites and Taylors, as well as many of the other families that are still active in Scotland.

Many thanks to Kevin Scrivens and Stewart Thom in helping me with some of the family tree details.

Photo: J. Codona's Rotor, 1953.
John Codona's Rotor, Aikey Brae, 19th July 1953.

Rotors were introduced around 1950, initially as an imported machine, and then as a home-built machine with examples from Orton and Spooner and Maxwells. This Rotor was imported by W.H. Marshall and is recorded as passing to Scotland with Charles Irvin - so maybe it was occupying a John Codona ground for this photograph? The machine passed to Joe Leonard and then to the promiment Devon show family of Whitelegg in 1959 - its ownership beyond this is not recorded. The ride had a distinctive butterfly emblem on the right-hand side which is just visible in the picture. The Rotor became popular again at the end of the 1970s, with smaller, more portable, examples built by many showmen.

Photo: Chipperfield's Ghost Rocket, 1949.
Chipperfield's Ghost Rocket, Aberdeen, 16th July 1949.

A mysterious ride, with information recently added courtesy of showman Billy White. James Chipperfield had a share of Aberdeen Amusement Park with John Crole, and presented this Ghost Rocket ride. The mechanism was similar to a Rotor with comparments around the perimeter - the passengers were stuck to the walls in the privacy of each compartment, and the ride was commonly known as 'The Groper' for reasons best left alone. It was advertised for sale in 1951, and was purchased at some point by Sailor Joe White. Other owners included the McArdle family, and Stanley Codona, who presumably scrapped the ride in the 1960s.

Photo: Graham's Steam Yachts, 1944.
J. Graham's Steam Yachts, Dundee Riverside Park, 15th July 1944.

Kevin Scrivens has researched Steam Yachts with the intent of publishing a book, and provided some narrative as to the 2 sets presented with the J. J. Graham family. This set is the 'small' set travelled by father James T. Graham and then son John James Graham. The larger set was travelled by J. T. Graham's eldest son, J. J. Graham. The large set has survived into preservation with Jack Schofield, the small set was scrapped with Percy Waddington. Steam Yachts are said to be one of the first true 'white-knuckle' rides with each boat given a meaningful name - these boats are called Lion and Tiger.

Photo: J. J. Graham's Over The Tops, 1942
J. J. Graham's Over The Tops, Alloa, 25th April 1942.

Over The Tops involved a great deal of physical effort on behalf of the passengers to rock and swing the 'cage' through faster and higher pendulums until you go 'over the top'. The set here is an original 5-bay wooden set, with many punters eager to impress their partners or the watching crowd. The ride was reborn in the 1970s with a metal version called 'Swinging Gym' - with machines built at Blackpool by Lusse and in Sheffield by Sam Ward. Many of these metal sets survive, though none of the wooden sets managed to exist long enough to meet their metal descendents.

Photo: J. hammond's Gallopers, 1959.
Jack Hammond's Gallopers, Alva, 11th July 1959.

These Gallopers were owned less than a year by Jack Hammond, a Tidman set sold in 1959 to the partnership of Cowie and Stokes. The ride survives in splendid condition with John Crow, attending major fairs such as Hull and Newcastle. The intriguing bus shown in the picture is not identified, but is an example of how showmen put everyday vehicles to good use.

Photo: Horne's Petrol Track, 1943.
Horne's Petrol Track, Leith Links, 14th August 1943.

A fine example of a Petrol Monte Carlo Track in the 'Brooklands' style (banked edges). Many of these tracks were open-topped and presented a good thrill to the fairgoer. As stated previously, the Horne family were an emerging name on the fairground, and are currently one of the major families on the Scottish scene.

Photo: Morrison's Chairoplanes, 1943.
H. Morrison's Chairoplanes, Kennoway, 14th August 1943.

Chairoplanes were extremely prolific since their introduction in 1921 - with sets imported and constructed at a rapid rate. Sizes ranged from 16 to 24 sections, with machines normally 2-abreast per section (however a 3-abreast 24 section machine did briefly exist!). The commonest size was a 32 seater machine such as shown here. The falling price of these machines during the 1930s meant that they offered many showmen a chance of a first machine, and so Scotland began to see new names emerging as ride-operators. It would appear that this set was later owned by the Wroot family, and a photograph can be found at the top of this page.

Photo: Matt Taylor's Dive Bomber,  1956.
Matt Taylor's Dive Bomber, Kitrkcaldy Links, 21st April 1956.

This is a truly significant ride for many reasons. Firstly the Dive Bomber thrived in Scotland in the 1950s and 1960s with most of the sets produced heading north of the border. Confusingly the first Dive Bomber in Scotland wasn't actually a Dive Bomber - it was James Graham's Loop-o-plane which travelled under the guise of Dive Bomber. Eyerly designed Dive Bombers (proper name = Roll-o-plane) and Loopers (proper name = Loop-o-plane) were both hits with the Scottish public and often reports of the fairs confuse the two. Matt Taylor effectively branched out on his own with this machine from his Cumrian base, and established the M. and D. Taylor dynasty and reputation for innovation. His Dive Bomber was the first example to be 'twinned' with Matt senior and sons Matt and Douglas going on to invent the UK's first Lifting Paratrooper.

Photo: J. White's Dodgem, 1959.
J. White's Dodgem, Leven, 1959.

After the war J. White and Sons found themselves with three Dodgem sets - an original Lakin machine plus two brand new Supercar tracks. The extent of their fairs and power within the section meant they were able to maintain such a large collection of rides. This set would appear to be a Supercar example, the company revolutionising Dodgem production from the 1950s onwards with alloy tracks.

Photo: J. Wheatley's Cakewalk, 1944.
J. Wheatley's Cakewalk, Glasgow, 1944.

Very little about this showman or this machine is recorded. It would appear that it was with the Wheatley family for just one season. By the 1940s these machines had become outdated and relatively cumbersome, making them cheap acquisitions. Research into their history is ongoing, with a handful of examples now in preservation, though many have been scrapped.